Books, Movies, Music, Television

03.06.07

Inchoate

That’s the best word I can think of to describe the Austin-based band Explosions in the Sky, whom you may remember from the Friday Night Lights soundtrack.

Dictionary.com defines “inchoate” as “not yet completed or fully developed” and “just begun; incipient,” words that aptly characterize the way in which most songs from this band seem to begin as nothingness and to blossom steadily into complex sonic architectures. It is as if each song, having been seeded and fed by the nibbling waters of guitars, drums, and bass, slowly gathers itself and begins to grow, until it shimmers into being before our eyes and ears.

That is true of the following song, titled “First Breath After a Coma” (from The Earth Is Not a Cold Dead Place [2003]). Through instrumentals alone, it tells the tale of an awakening consciousness becoming alive to itself and branching out into the world of thought after a long absence.

[note: to watch the performance of the song, you’ll have to click play, click the forward button once, and sit through a very loud, but mercifully short, commercial for Fabchannel. Sorry about that. I think it’s worth it.]

02.23.07

It’s Shocking!

Shame on me for not plugging my entry in Philadelphia Citypaper’s wonderful Culture Shock column a few weeks ago.

The editors asked me to write about “something that you’re into these days.” Here’s what I chose:

Vatican City, Las Vegas

F. Rex’s ribald, allusive, and downright blasphemous graphic novel parodies the excesses of modern capitalist culture as it finds bathos and transcendence in a debased, Vatican-themed Las Vegas casino. With a colorful cast of characters that includes Thomas Carlyle as a down-on-his-luck drunkard, Karl Marx as an overweight vagrant donning a beer helmet, T.S. Eliot as an uptight casino-floor manager, and Jesus as an oppressed janitor, plus a dozen other characters too profane to mention, Vatican City, Las Vegas reads like a version of The Waste Land re-imagined by R. Crumb. Let’s hope that Philly’s slots parlors don’t turn out like this . . . though if they do, they might wind up being a lot more fun.

If this piques your interest, check out the website, and order the book on Amazon.

I’m planning to interview the author — who is a friend of mine — in the near future.

02.23.07

I Need Cable

This American Life TV Show Teaser (QuickTime Clip via Waxy)

Coming to Showtime on March 22. Here’s a related interview. Note the commenter who raises concerns about the move to a premium cable channel.

11.19.06

Cat Power Among the French

I think that her best work is yet to come.

(title song from from The Greatest)

 

Update: At 7pm tonight, NPR will broadcast online, in its entirety, a Cat Power show from Washington’s 9:30 Club (via Matador).

10.19.06

“A Blank Check Drawn Against Our Own Freedom”

Keith Olbermann — the Edward R. Murrow of our time.

Transcript here.

(via DK).

10.18.06

Scorsese’s Sesame Streets

For two friends of mine who are going through tough times: here’s something to cheer you up.

Martin Scorsese’s Sesame Streets

(via)

10.18.06

Sin City

A musical interlude in honor of the Pennsylvania State Legislature:

The Flying Burrito Brothers, “Sin City” (from The Gilded Palace of Sin/Burrito Deluxe)

It seems like this whole state’s insane . . .

10.13.06

Facing Death in Iraq and Truth in America

Today, I watched Oprah interview Frank Rich, the New York Times Op-Ed columnist, on her show; Rich is on tour promoting his new book, The Greatest Story Ever Sold: The Decline and Fall of Truth from 9/11 to Katrina.

It was a cultural moment whose significance (like Oprah’s influence) should not be underestimated. You can read excerpted transcripts from the show on Oprah’s site, which includes a primer on developing critical literacy. Rich, who was, as always, an astute, eloquent, and observant speaker, described the deceptive selling of the War in Iraq and the ways in which those initial untruths have haunted the war (and the Bush Administration) ever since.

Speaking about media coverage of the war, Rich said:

The problem in Iraq is that it is so unsafe. A very brave war correspondent for the Times said two weeks ago that 98 percent of the country—and in Baghdad in particular—reporters can’t go to because it’s just too dangerous. More reporters have been killed in this war than any modern war. At a certain point, a place like the New York Times or ABC News has to say, you cannot get killed for the story. That in itself tells us something that the country is so unsafe that we can’t cover it. We rely on Iraqis to cover it and the Iraqis often are so frightened of being seen working for Americans that they won’t reveal their identities to their own families as journalists.

Oprah’s show was telecast only a day after a new report in The Lancet (free registration required) revealed just how superficial our knowledge of the war in Iraq really is. The Lancet study estimated that 665,000 “excess deaths” (see Majikthise’s post on the methodology) have occurred in Iraq since the U.S. invasion:

We estimate that, as a consequence of the coalition invasion of March 18, 2003, about 655 000 Iraqis have died above the number that would be expected in a non-conflict situation, which is equivalent to about 2·5% of the population in the study area. About 601 000 of these excess deaths were due to violent causes. Our estimate of the post-invasion crude mortality rate represents a doubling of the baseline mortality rate, which, by the Sphere standards, constitutes a humanitarian emergency.

Think about that number for a minute. Or, devote a second to thinking about each one of those deaths.

What, you don’t have 655,000 seconds to spare?

According to this site, a city with a population of 655,000 people would rank as the eighteenth largest city in the U.S. — above Baltimore.

And to George W. Bush, it’s all just a comma.

655,000 excess deaths. A city bigger than Baltimore. It boggles the mind.

Rich didn’t mention the Lancet study, which was mostly likely published after the show was taped. But he did talk about the television coverage of the war. He noted that the networks presented us with long shots of bombs exploding, but that we never saw the street-level effects of those bombs. It was like a fireworks display, he said. Another guest, Roy Peter Clark of the Poynter Institute, added that no country would be able to sustain war if citizens were able to see its real consequences.

One woman got up and said that she had never thought about the television coverage in that way — that she had never considered the mothers, fathers, sisters, brothers, and babies who died in those attacks.

655,000 excess deaths: it’s long past time for Americans to start thinking about that.

 



Postscript:

It’s exactly the type of person who hasn’t thought much about the Iraq War that Oprah’s show is able to reach.

Oprah mentioned during the broadcast that when she did a show, before the beginning of the Iraq War, that asked “Is War the Only Answer,” she got the worst hate-mail of her entire career in television. One correspondent called her an “incredible treasonous bitch.” Another said, “I wish you would choke on the ashes of 9/11.” One person told her to “take your hairy black ass back to Africa.”

I think it’s important that readers of this site thank Oprah for doing this show. In one hour of broadcast television, she brought Frank Rich’s analysis of “truthiness” into more living rooms than most bloggers could ever hope to reach. Please write to her here.

09.15.06

Cocktail, Remixed

The New York chapter of AICE — The Association of Independent Creative Editors — just held their annual “Trailer Park” competition. The contest asks entrants to choose from a list of nine movies and edit a :90 second trailer which promotes the film as a picture from a completely different genre.

Last year’s winner, Robert Ryang’s Shining, re-imagined Stanley Kubrick’s “The Shining” as a heartwarming family flick.

This year’s grand-prize winner is Scott Rankin of Northern Lights Post, whose superb editing transformed the 1988 Tom-Cruise vehicle Cocktail into a Bollywood musical.

It’s called CAAKTHĀL:

More details are available on the AICE site. I’d like to thank AICE for making the video available to me.

Also check out the new blog The Trailer Mash, which was created solely to track these kinds of mashed trailers.

09.12.06

Fresh!

This must be shared: a bit of witty editing (or, perhaps, just the addition of a new soundtrack) transforms a Jean-Claude Van Damme action sequence into a cheesy Mentos commercial:

(via Defamer via Rod)

And while we’re on the subject of re-editing movies, the winners of Trailer Park — the annual competition sponsored by AICE (Association of Independent Creative Editors) — will be announced in a few days. I’m hoping that they will make the winning films available online. Last year’s winner — Robert Ryang’s Shining — sparked a world-wide trend. It will be hard to beat.


philly ad network logo
Liberal Prose Ad Network logo